JEWS. IN THEIR OWN WORDS. by Jonathan Freedland. Royal Court, 2022




CYPRUS AVENUE by David Ireland. RADA, 2022

THE THIRD by Timberlake Wertenbaker with Dame Harriet Walter. V&A (for The King’s Head), 2022


THE MOORS by Jen Silverman. LAMDA, 2021

PUSHING ON OPEN DOORS by Sarah Connors. R&D and Reading supported by MGCfutures, 2021

PERSPECTIVE by Mackenzie Wellfare. National Theatre (New Views), 2021

THE DYBBUK by S. Ansky in a translation by Golda Werman. Almeida Theatre, 2021

NFTS  MA SCREENWRITERS’ PLAYS. Soho Theatre, 2021, 2019, 2018

KILN YOUNG WRITERS PROGRAMME staged readings. Kiln Theatre, 2021


TAPESTRY by Nessah Muthy. TWENTY TWENTY, Young Vic, 2020 / 2021

MACHINAL by Sophie Treadwell. Fourth Monkey, 2020

SLEEPWALKING by Hannah Khalil. Hampstead Theatre, 2020

THE EFFECT by Lucy Prebble. English Theatre Frankfurt, 2020

SKIN AND BLISTER by Charlotte Josephine. (R&D and Reading) Old Vic, OV12, 2019

STROIKA by Olga Nikora. RSC Literary Workshop, 2019 

APOLOGIA by Alexi Kaye Campbell. English Theatre Frankfurt, 2019

ASHES TO ASHES, OOLONG TO ASSAM by Sol Alberman (New Views Reading). National Theatre, 2018

CLEANSE by George Jacques (New Views Reading). National Theatre, 2018

RIPPED (R&D and Performance) by Alex Gwyther. Tristan Bates Theatre, 2018

OUR LADY OF 121st STREET by Stephen Adly Guirgis. BOVTS, 2018

THE DARK ROOM by Angela Betzien. Theatre503, 2017 *Best Director Finalist, OFFIES 2018

DON JUAN IN SOHO (understudy run) by Patrick Marber. Wyndham’s, West End, 2017

WE TOO ARE GIANTS by Chinonyerem Odimba. Kiln Theatre, 2017

DEAD FUNNY (understudy run) by Terry Johnson. Vaudeville Theatre, West End, 2017

THE SCAR TEST by Hannah Khalil with Untold Arts. Arcola, and UK Tour, 2015 and 2016

HAND TO GOD (understudy run) by Robert Askins. Vaudeville Theatre, West End, 2016

PRINCE OF DENMARK by Michael Lesslie. Karamel Club, Mountview, 2015

ORESTEIA (a response) by Paul Webster. Almeida Theatre, Almeida Participation, 2015

TEN POUNDS devised with Angela Betzien. National Theatre, The Shed, 2015

PIGGIES by Milly Thomas. RCSSD, 2015

ELECTRA (understudy run) by Frank McGuinness. Old Vic Theatre, 2014

SOMETHING WICKED by Cameron Finlay & ROUTE A76 by Marisa Lyons Longworth. (Staged Readings) National Theatre, Temporary Theatre, 2014

ALMOST NEAR by Pamela Carter. Finborough Theatre, 2014

JUNE by Isley Lynn. Park Theatre, 2013

APPLES by Brian Walters. Theatre503, 2013

THE LITTLE FLOWER OF EAST ORANGE by Stephen Adly Guirgis. National Theatre Studio, 2013

ONE MAN, TWO GUVNORS (understudy run) by Richard Bean. Theatre Royal Haymarket, West End, 2013

BOHEMIANS by Jaki McCarrick. Etcetera Theatre, 2012

ALICE, JIM AND JANICE by Janet Amsden. Theatre503, 2012

MOONY’S KID DON’T CRY & THE CASE OF THE CRUSHED PETUNIAS by Tennessee Williams. King’s Head Theatre, 2011



PINTER AT THE PINTER. Associate Director. West End, 2018/2019. (Director: Patrick Marber)

DON QUIXOTE. Associate Director. RSC West End, 2018/2019. (Director: Angus Jackson)

DON JUAN IN SOHO by Patrick Marber. West End, 2017. (Director: Patrick Marber)

DEAD FUNNY by Terry Johnson. West End, 2016/2017. (Director: Terry Johnson)

HAND TO GOD by Robert Askins. West End, 2016. (Director: Moritz von Stuelpnagel)

ELECTRA in a version by Frank McGuinness. Old Vic Theatre, 2014. (Director: Ian Rickson)                      

RAPTURE, BLISTER, BURN by Gina Gionfriddo. Hampstead Theatre, 2014. (Director: Peter DuBois)             

ANTONY AND CLEOPATRA by William Shakespeare, new edit by Tarell Alvin McCraney. RSC, Public Theatre NY, 2013. (Director: Tarell Alvin McCraney)

ONE MAN, TWO GUVNORS by Richard Bean. West End, 2012/2013. (Director: Nick Hytner)

THE EFFECT by Lucy Prebble. National Theatre, 2012/2013. (Director: Rupert Goold)

BLURRED LINES, THE EQUALITY ILLUSION by Nick Payne. National Theatre Studio, 2012. (Director: Carrie Cracknell)

TROILUS AND CRESSIDA by William Shakespeare. RSC and The Wooster Group, 2012. (Directors: Mark Ravenhill & Elizabeth LeCompte)

LAY DOWN YOUR CROSS by Nick Payne. Hampstead Theatre, 2012. (Director: Clare Lizzimore)

THE CORONATION OF POPPEA by Monteverdi, new edit by Mark Ravenhill. King’s Head Theatre, 2011. (Director: Mark Ravenhill)



MGCfutures Bursary Recipient 2019 / 2020

Old Vic 12 Director 2019

Nominated for The Arts Foundation Awards 2018

Finalist Best Director – Off-West End ‘OFFIE’ Awards 2017 (The Dark Room, Theatre503)



TWENTY TWENTY Director, Young Vic Taking Part 2020 / 2021

NT Connections 2018 Associate Director, National Theatre

Kiln Theatre Community Company Director 2017

National Theatre New Views London hub Co-facilitator (2012 – 2017); National Theatre Connections Director (2014 – 2018)

Visiting Director at Mountview, Arts Ed, RCSSD, BOVTS, LAMDA and NFTS

Lead Facilitator and Theatre Practitioner for Young People (National Theatre, RSC, Almeida Participation, Old Vic)



Script Reading for National Theatre, Women’s Prize for Playwriting, Hampstead Theatre, Theatre503 and The Bruntwood Prize; Judge for Adrian Pagan Award

Facilitator for Chat Back – a regular theatre platform for directors and designers at the Young Vic

Dual UK and US Citizenship

Full member and Board member of Stage Directors UK



3-Year Directing Course: Sam Kogan – London and Moscow

Young Vic Springboard Programme 2011; Trainee Resident Director, King’s Head Theatre 2011

Directing workshops with: Peter Brook, The NT Studio, RSC, GITIS – Moscow